In my last post, I began an analysis of the underlying ideologies of the offensive Last Supper parody in the opening ceremonies of the Olympics. Instead of simply raging (though I think all Christians should be upset by the mockery of Christ), it’s better if we can understand, define and expose the deep clash of the spirit of the age and the Christian Gospel.
The Offensive Scene Revisited
If you missed last week’s post, I hope you’ll start there. But, by way of brief recap, I explained how much I love the Olympics. And, wow, the Paris games didn’t disappoint. I watched Sydney McLaughlin-Levrone run the women’s 400-meter hurdles last week. She was so much better than the rest of her semi-final heat that, according to analysts, she would have outrun her competitors even if the others were running the track with no hurdles.
Wow.
And how can four foot eight Simone Biles soar over 12 feet high from the floor while twisting and flipping?
I love the Olympics.
But the expansive opening ceremonies, that claimed the grandeur of the city of Paris itself as the venue, included a highly offensive scene that appeared to be a grotesque parody of DaVinci’s famous “The Last Supper.” It depicted a haloed obese woman in the center as a disc jockey flanked by various LGBTQ icons (including drag queens, a transgender model and prepubescent girl). Though Olympics ceremonies creators afterward denied that it was a mockery of “The Last Supper” and scrubbed it from YouTube amidst the backlash, the woman who played the disc jockey, a lesbian French activist named Barbara Butch, tweeted of the scene: “Oh Yes! Oh Yes! The New Gay Testament.” The French news outlets repeatedly referred to the scene using a play on words in French, “La Cène Sur La Scene Sur La Seine” which translates “The Last Supper on the Stage on the Siene.”
A strange blue man, wearing almost nothing, appears in the feast and sings about how wonderful the world would be if we were all naked: “No more wealthy, no more poor, when we go back to being naked.” The lyrics continue with the poetic claim that the antidote to war is nudity, after all, the song says, “Where to hide a revolver when you’re entirely naked?”
Interestingly, Olympics ceremonies officials defended themselves by declaring that the scene was not about “The Last Supper” but was a nod to the Greco-Roman bacchanal feast. That’s what the blue man was about—the figure of Dionysus (also known as Bacchus) who was the Thracian-Greek god of wine, fertility, festivity and religious ecstasy.
So, the naked blue man sings about the virtues of nudity as the LGBTQ characters move about provocatively at the Table and a man takes a young girl in his arms.
Why in the world is this in the opening ceremonies? What is the deeper symbolism? And why is it so anti-Gospel?
Real Freedom
As I explained in the last post, the opening ceremonies creator wanted to emphasize the French national motto that finds its origins in the French Revolution: “Liberté, Egalité, Fraternité” (Liberty, Equality, Fraternity). The notion of freedom is, of course, thoroughly biblical and is one of the highest virtues we could ever embrace.
But the world’s definition (and the definition on display in the opening ceremonies) claims that liberty comes through the absence of restraint, that ultimate freedom means “no one telling you who to be or what to do or who to have sex with.” In the eyes of the world (and this is hell’s theme), the more choices the better, so you must always keep your options open. In other words, “you be you” and “don’t let anyone tell you what to do or who to love.” And most definitely, the spirit of the age says, “Don’t let religious people or principles tell you what to do –that is the ultimate loss of freedom.”
Granted, the sort of dead religion that sometimes parades as Christianity hasn’t helped. No wonder the devil strategized to convince people that Christians are kill-joys and freedom-robbers. Churches without grace have provided ample fodder for the deception.
If freedom means “no commitments” then it logically means, no one should get married and all kids shouldn’t bind themselves with restrictive notions about gender. If freedom means “no restraints” it necessarily also means “no order.”
In other words, according to the spirit of the age, freedom is disorder. Chaos.
But the freedom that Christ came to bring isn’t freedom from order, but freedom unto order.
Only the Well-Trained Dogs Can Go Unleashed!
We had a beagle named Reesie during our kids’ growing up years. We loved that dog. Beagles are cute and child friendly and hardy enough to be an inside and outside dog. But their noses get them in trouble. We tried to train him to “stay” and “heel,” and the sweet dog made an effort. But if his nose caught a whiff of a squirrel or rabbit, he was gone. So, Reesie had to stay on a leash on every walk.
I envied those people with their stately labradors who would calmly saunter beside them, unflustered by the distractions of other critters or humans. How freeing it would be for a dog to be unleashed—to run after a ball and come back to the master! Not so Reesie – I loved throwing a ball to him in the back yard, but not at the beach or a park!
Here’s my point: ONLY THE WELL-TRAINED DOG CAN GO UNLEASHED. ONLY THE SUBMITTED DOG CAN REALLY BE FREE!
When Jesus taught that the truth will set you free (John 8:32), He meant that narrow truth opens up the vastness of paradise and blessing to you. He defined Himself as the way, the truth and the life (John 14:6). Through One Person— the only sinless Human, the Son of God—there is a gateway to expansive life here and for all eternity. The truth is that we are born in sin and that we under a cloud of guilt until we meet the Savior who came to bear our guilt and shame. The truth is that God loves us and came to rescue us from the toxicity of our self-absorption. The truth is that Jesus has paid it all for us. The truth is that we can be saved only through Him. That’s the truth that sets us free.
Freedom doesn’t come through unlimited choices, but through singleness of choice. “Seek first the kingdom of God and His righteousness, and all these things will be added to you.” (Matt. 6:33)
The virtue of diversity is not a modern ideology—it is God’s idea. He loves diversity. “Glory be to God for dappled things…” poet Gerard Manley Hopkins penned. Glory be to God for the spectrum of colors in a rainbow, speckles on a trout, and different hues of skin tone. God is the Creator who made a vast garden paradise full of every kind of sweet fruit –varied, diverse. Apples are so different from pears. Coconuts are so different from pineapples. Dogs are so different from cats. And men are so different from women. Praise God for diversity.
And Paul taught us that the mystery of God is on display in the body of Christ – one body with diverse gifts, all flowing together by the coordinating power of the Holy Spirit under one head, the Lord Jesus Christ.
Wow! What glory of artistry in the Creator! What majesty on display! God is glorified when diverse people and diverse gifts come together under His direction! The word Paul uses in Ephesians describing the “manifold wisdom of God” on display in the church could aptly be rendered “multi-colored” wisdom.
The beauty of diversity is only lovely (and effective) when there is an ordering unity that brings it all together. It is the unity a conductor brings to the diverse instruments in the orchestra that makes the symphony beautiful Otherwise, it is agonizing cacophony.
Diversity without order is chaos. And that’s what the Dionysus festivals celebrated.
In Roman culture, Dionysian festivals were known as bacchanalia (from Dionysus’ other name, Bacchus). The bacchanalia involved drunkenness, orgies and degradation. They became so awful that even Rome (that tolerated so much decadence) eventually banned the bacchanalia.
In the pagan festival, there was a ritual of ripping apart live animals and eating their raw flesh and a ritual known as “drinking the god.” By getting drunk on wine, it was believed the spirit of Dionysus would enter the pagan revelers and enable them to experience an ecstatic state.
I doubt the Olympic ceremonies creators had all that in mind as the celebration of Dionysus took place at a table resembling DaVinci’s Last Supper where Jesus gave the symbolic meaning of the wine – “this is my blood poured out for you, the cup of the New Covenant.” But the parody is unmistakably there.
In contrast to drunken orgies, the Lord’s Supper symbolizes the unity of the body of Christ. Paul’s admonition to never be drunk with wine but be filled with the Holy Spirit points to the glory of Gospel transformation: with God, transcendent experiences do not lead to debauchery but holiness.
When the Holy Spirit comes upon us, filling us with joy and love, we do not lose our minds, we gain them. We do not lose order, we find it.
Sociologists have observed that most cultures throughout history celebrate some form of “carnival”—times of public revelry with music, dancing, and often the use of masquerade. You might think of Mardi Gras with its masks and costumes and over-indulgence that precedes the liturgical season of Lent, historically a time of increased order and fasting and sobriety.
Carnival turns order upside down for a period, as if stretching the limits of society, emphasizing the fringe, the different, the unexpected. Some religious scholars suggest that carnival is a recapitulation of chaos and creation. In the beginning, the earth was formless, and void and the Spirit of God hovered over the chaos. When God spoke, He was bringing order.
God didn’t place humanity into chaos but into a “universe”— a word derived from “uni” which means “one” and the Latin root “versus” which mean to “turn.” So, chaos is about things coming apart, but in a universe all is turned toward one. Our secular universities have largely departed from their original mission to be a “whole” under “One” and have become “diversities” where innocent incoming freshmen learn that they might not be binary and might need to clarify their pronouns.
In other words, if all we have is diversity and no unity under God, then we have only carnival and no return to order. We have all masquerade and no reality. We have all Mardi Gras and no Lent.
So, this all brings us back to the not-so-subtle message of the Dionysian festival in front of a Last Supper table on the Seine river. The spirit of the age asserts that carnival, the upending of the normal order, is the pathway to “liberty.” The dissolution of normal identities and the exaltation of blurred identity is the way to be free, anti-Christ claims.
But The Last Supper and the good news of the Christian Gospel offer something altogether different and far more glorious. What Christ offers is unity amidst diversity—a unity that is found only through one living Head who is the Truth, the living way. Freedom does not come by reveling in chaos but by bringing order from chaos. Beauty isn’t found in diversity alone but in the mystical union of differentness (for example, the beauty of marriage between a man and a woman).
The world wants freedom, but Dionysian chaos never brings it. Jesus came to set us free! But it is a freedom found through submission to Him, worship of Him.
Reesie the beagle wasn’t “free” to be unleashed because he couldn’t control his nose. No person can be free without the beauty of order and discipline. A student might want to be “free” from having to study, but if he never does his homework, he won’t ever be “free” to graduate. A man might want to skip work and just be “free,” but the slackard won’t be free to buy food or health care.
Jesus came to set us free from the lies of self-absorption that tell us “you do you” and “do whatever feels right.” Ask any recovering alcoholic and they’ll tell you that real liberty isn’t the freedom to get drunk—real liberty is being free to not have to get drunk!
In Conclusion
When, as Christians, we see offensive scenes like the Last Supper parody in the Olympics opening ceremonies, I hope we’ll learn to take a deep breath, let the lament have its moment in our hearts, speak out about the offense, but also think deeply, asking: “What is the anti-Christ ideology behind the offensive material?” Where are the messages of the offensive material and the Gospel in conflict? What story is competing with the story of God’s love in Jesus Christ? I’d like us to think like that so we can be wise and pray more than we rage. Freedom is a wondrous virtue—but there are competing definitions of the word.
Let’s take our grief over the Olympics ceremonies to Christ and ask Him to empower us with grace to tell the world the better story of freedom, the story of a Savior who came to make us free indeed.
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